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Ray Monde
- May 29, 2020
- 2 min
How do you do an art commission for a client 18,000 miles away?
There’s no greater compliment for an artist to have someone recommend your work. It says they like your work. It says they like your work enough to share your work with other people. Is an art recommendation really that important? Yes. It’s not like recommending a sofa or a brand of milk. They like your work enough to stake their own integrity on your art. This is a big deal. Duffy’s Lane, (Courtcliffe Acres), Ray Monde, collage and synthetic polymer paint on canvas, 2018. Th
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Ray Monde
- Apr 30, 2020
- 3 min
Got COVID cabin fever? 5 ways to artfully plan your escape.
At this point in self-isolation things start going crazy, off-piste. Somewhere between the half-way and three-quarter mark, people get wobbly. It happens to astronauts, cosmonauts and people wintering in Antartica. I blame the dreaded third-quarter for HAL9000 losing his shit. For us at home, it’s manifested itself as some very unusual interpretive dancing and an unhealthy obsession with hot sopressata. One of the last exhibitions I saw was John Akomfrah’s remarkable Future H
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Ray Monde
- Mar 19, 2020
- 3 min
Too late to leave. Stay in place.
What the Australian bushfires taught me about making decisions in a time of coronavirus (COVID-19). I’m one of those people that likes to be prepared. I check the exits on a airplane. I feel under my seat to make sure there’s a life jacket there. So when the mountains burst into flames behind my house in November 2019, I planned to leave. I love my home at Riverbend, it’s insured, it’s replaceable. I didn’t want to be one of those people to die with a garden hose in my hand.
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Ray Monde
- Mar 10, 2020
- 2 min
What to do when things go horribly wrong (in art)
Sometimes art goes bad. Look at her face. The horror. This is not intentional. I wasn’t trying to create an image of a women who had been burnt in an accident. Or a woman trapped in a disfiguring face mask. I was trying to create a woman with attitude, cigarette in hand, giving the viewer a withering glance. I didn’t have the right colour papers to create realistic tones in collage. I ended up with a mess. A right awful mess. A week later, it happened again. I was struggling
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Ray Monde
- Feb 10, 2020
- 1 min
Found a studio at 57 Biscayne – a room of one’s own
Studio space in Seattle is really hard to come by. I was fortunate that Clare Johnson had landed a residency and would be out of the state for three months. She was looking for someone to look after her space in 57 Biscayne and I was keen to look after it. We hit it off and is kindly letting me work in this beautiful space. My new short-term studio The space is roomy, has wonderful high ceilings and is beautifully lit. The big white wall is just dying to be covered in my stuf
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Ray Monde
- Jan 22, 2020
- 3 min
Suburban LA life for The Other Art Fair
Taking risks sometimes pays dividends. The risk is worth the reward. Other times, they fail terribly. Like at my high school dance. Important lessons from risk-taking The school dance is beach themed. I thought it would be a good idea to make breasts out of coconuts and pink socks, wrap myself in a hibiscus tablecloth and apply red lipstick. I remember looking at myself in the mirror in the bathroom and almost chickening out. Then I told myself, if I don’t do this I will regr
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Ray Monde
- May 5, 2019
- 2 min
"Hurry, though - I turn 80 this year: Les Murray's urgent words to me
Around this time last year I wrote to Les Murray, Australia's greatest contemporary poet, to ask if he would sit for me. His reply was quick and came to me by a postcard from his On Bunyah collection of poems. "Dear Ray, how could I refuse a portraitist from the Krambach side of Burrell Creek who wants to paint me? You are welcome to try! Hurry, though, I turn 80 this year." There was an urgency in his messages and yet, he continued to reply by postcard to arrange the logisti
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Ray Monde
- Oct 23, 2018
- 3 min
What does it mean for an artist to show in a public art gallery?
Last Friday night, I picked mum and dad up at the Goulburn South Caravan Park and drove them to the Goulburn Workers Club for a quick drink. We settled into a fancy booth that looked out across Auburn Street, where locals were doing mainies. As I came back from the bar with a tray of drinks, my partner’s wildly gesticulating arms collected with the tray, I overcorrected and the drinks flooded across the table in a crazy gin-tonic-red-white-wine deluge. My childhood superstiti
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Ray Monde
- Oct 22, 2018
- 3 min
What does it mean for an artist to be shown in a public art gallery?
Last Friday night, I picked mum and dad up at the Goulburn South Caravan Park and drove them to the Goulburn Workers Club for a quick drink. We settled into a fancy booth that looked out across Auburn Street, where locals were doing mainies. As I came back from the bar with a tray of drinks, my partner's wildly gesticulating arms collected with the tray, I overcorrected and the drinks flooded across the table in a crazy gin-tonic-red-white-wine deluge. My childhood superstiti
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Ray Monde
- May 9, 2018
- 2 min
Suburban gothic - what goes on over the back fence
On the way back from dropping my artworks at Michael Reid Murrurundi, we stopped in at Newcastle to see my old high school girlfriend. She'd recently moved there from Sydney and has settled into that city so well, only a spitting distance away from the glorious Merewether Baths. We walked and talked. The weather was squally, waves crashed over the walls of the swimming hole. It was beautiful and meditative. When I dated her, she lived in the mountains, it was an hour's drive
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Ray Monde
- Mar 18, 2018
- 2 min
What are the rewards for the hours in the art studio?
I've got my first solo show in a commercial gallery coming up in May - at Michael Reid Murrurundi. It's an extraordinary opportunity to showcase my work to an unseen audience. I have an extraordinary sense of obligation to 'do a good job'. To create works that will not only resonate with the audience but will also reward the gallery with sales. I am coming to realise I need to dismiss the thoughts running through my head 'Who would buy this?' and instead focus on producing th
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Ray Monde
- Sep 11, 2017
- 2 min
Quiet terror in the suburbs
I’m working late into the night on a new series that focuses on the suburbs. It was inspired by a recent trip to Madrid where I saw a lot of works by Picasso at the Reina Sofia – Pity and Terror, Picasso’s Path To Guernica. What struck me about his early works was that they were often limited to a single room, they were painted as a closed space. It got me thinking about the closed spaces in wide, brown Australia. For me this led me to the suburbs, in particular suburban back
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Ray Monde
- Sep 11, 2017
- 2 min
Quiet terror in the suburbs
I’m working late into the night on a new series that focuses on the suburbs. It was inspired by a recent trip to Madrid where I saw a lot of works by Picasso at the Reina Sofia – Pity and Terror, Picasso’s Path To Guernica. What struck me about his early works was that they were often limited to a single room, they were painted as a closed space. It got me thinking about the closed spaces in wide, brown Australia. For me this led me to the suburbs, in particular suburban back
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Ray Monde
- Aug 14, 2017
- 2 min
What makes a great work of art?
What makes a great work of art? How do you separate the best from the base? What makes an artwork worth $110.5 million such as a recent piece sold by the artist Basquiat? And what work is worthless? This question was brought into sharp focus at this year’s Archibald Prize when Mitch Cairns portrait of his wife took out the $100,000 prize. Other well-known artists such as Tim Storrier and John Olsen harshly criticised the winner. Carins’ work certainly wasn’t my favourite this
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Ray Monde
- May 22, 2017
- 1 min
This is what happens when artists collide at The Other Art Fair Melbourne
It’s rare to get up in the face of artists. See their work. Hear first hand what their work is all about. When you’re at exhibition openings in galleries, it’s sometimes hard to know who the artist is, let alone get a chance to speak with them and dive into their mind. Yet this is exactly what happen at The Other Art Fair (TOAF). When it was quiet, I ducked off from my stand to talk to other artists, see their work, hear their stories and revel in their creations. It was grea
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Ray Monde
- May 22, 2017
- 1 min
This is what happens when artists collide at The Other Art Fair Melbourne
It’s rare to get up in the face of artists. See their work. Hear first hand what their work is all about. When you’re at exhibition openings in galleries, it’s sometimes hard to know who the artist is, let alone get a chance to speak with them and dive into their mind. Ray Monde at The Other Art Fair Yet this is exactly what happen at The Other Art Fair (TOAF). When it was quiet, I ducked off from my stand to talk to other artists, see their work, hear their stories and revel
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Ray Monde
- Apr 12, 2017
- 1 min
Gearing up for The Other Art Fair Melbourne
I play silly mind games with myself. I always have since I was a kid. Last year, before The Other Art Fair Sydney, as I undressed to get into bed, I threw my clothes towards the dirty clothes basket and thought “If I get them in, I’ll sell one of my pieces”. My clothes didn’t make it into the basket. Not a sock. You can imagine my surprise when I sold all my works. More than that, I had really rich, engaging conversations with people about the work. Shared my stories and saw
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Ray Monde
- Mar 23, 2017
- 1 min
Is Dan Kyle the next Arthur Boyd of Australian landscapes?
Dan Kyle's paintings of the Australian landscape are compelling. The pale trunks of eucalyptus trees like ghosts stalking the landscape.
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Ray Monde
- Mar 23, 2017
- 1 min
Is Dan Kyle the next Arthur Boyd?
I’m going to say it right now, I love Dan Kyle. He’s a young guy, living in the mountains taking an obsessive look at the Australian bush around him. To be honest, it’s not the man I love, it’s the artist. He paints trees again and again and again. The pale trunks of eucalyptus trees like ghosts stalking the landscape. They’re silent witness to what’s going on about them, the birds, the rainfall and the incursions of people. They stand in judgement, looking at us to look with
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Ray Monde
- Mar 8, 2017
- 1 min
What happens next Ray Monde?
I love now. I love this moment. I love the start of something new. This week I started a new series. A series exploring childhood experiences – one more time – but this time it’s going to be better. It’s going to be better because the more I think about my childhood, the more my memories become clearer and the more I uncover long forgotten experiences. It’s also better because the more I create, the better I get. My skills improve, my colour work gets better and the more conf
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